Not Currently on View
Gerbrand van den Eeckhout painted the subject of Vertumnus and Pomona at least three times. In contrast to Bloemaert's treatment of the subject, Eeckhout's chastely clad Pomona downplays the inherent eroticism of the theme. Both paintings include Ovidian metaphors of fertility, including a fruit tree and a fruit-bearing vine. The carnations are symbolic of marriage.
Provenance research is on-going at the Indianapolis Museum of Art at Newfields. Please contact Annette Schlagenhauff, Curator of European Art, at email@example.com if you have questions, or if you have additional information to share with us.