Collections and items in our institution have incomplete, inaccurate, and/or missing attribution. We are using this notice to clearly identify this material so that it can be updated, or corrected by communities of origin. Our institution is committed to collaboration and partnerships to address this problem of incorrect or missing attribution.
Our institution is committed to the development of new modes of collaboration, engagement, and partnership with Indigenous peoples for the care and stewardship of past and future heritage collections.
The TK Notice is a visible notification that there are accompanying cultural rights and responsibilities that need further attention for any future sharing and use of this material. The TK Notice may indicate that TK Labels are in development and their implementation is being negotiated. For more information about the TK Notice, visit localcontexts.org.
Learn more about our Local Contexts research and to connect with Newfields' staff.
74 x 45-1/2 in.
Signed by maker
Gift of the Alliance of the Indianapolis Museum of Art
(Grove Gallery, New York) {1}; IMA (June 21, 1984). {1} through Eric Robertson
The earlier types of indigo resist-dyed wrappers (adire) were woven with handspun cotton; however, in recent years machine- made cotton fabrics have been used. The rich, elaborate patterns are produced by different methods of resist-dyeing, a woman’s art. The patterns on adire cloth are produced by resist method, using raffia or cotton threads to either tie or stitch the areas that will be resisted. Another type of resisting is done by painting or stenciling the intricate pattern using starch. The cloths are dipped into indigo dye baths to achieve the rich, brilliant blue color for which these cloths are known. The geometric, stylized patterns of animals and household objects are often symbolic, and each finished cloth has a specific name depending on the pattern used.
Metadata about the Indianapolis Museum of Art’s collection comes from Newfields’ records and research. In some cases, information may be incomplete and research is ongoing. Newfields’ goal is to have as up-to-date metadata as possible, therefore, this information is subject to change. Newfields collections’ metadata is available under a Creative Commons Zero (CC0) waiver, which allows for re-use without legal restrictions.
Artworks that appear in the image file(s) above may be in copyright or have other legal and/or cultural restrictions to their use. For clarity, Newfields does not claim copyright to the image files created by Newfields of artworks in the Indianapolis Museum of Art’s collection. Newfields makes every effort to ascertain the copyright status of artworks in the Indianapolis Museum of Art’s collection. Please refer to the RightsStatements.org statement above for information about the current copyright status of the artwork. Additionally, some artworks may include Local Context’s Notices or Labels that attribute cultural authority of the artwork’s heritage and data.
Additional information about Newfields’ reproduction guidelines can be found in the Licensing Resources.
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This project was made possible in part by the Institute of Museum and Library Services [MA-251861-OMS-22].