Currently on View in H206
Image Licensing
(Reid and Lefevre, London, England) by 1926.{1}
(Bignou Gallery, New York, New York) by 1937.{2}
(M. Knoedler & Co., New York, New York) by 1945;{3}
purchased by Caroline Marmon Fesler [1878-1960], Indianapolis, Indiana, in June 1945;
given to the John Herron Art Institute, now the Indianapolis Museum of Art at Newfields, in 1945.{4}
{1} See Roger Fry, Transformations: Critical and Speculative Essays on Art, London 1926, p. 195 and plate XXX-A.
{2} See Bignou Gallery, New York, The Post-Impressionists, March-April 1927, no. 10 (illustration)
{3} Business ties were frequent between Bignou Gallery, Reid & Lefevre and M. Knoedler, sometimes involving joint accounts for particular works, as was the case with van Gogh's Postman Joseph Roulin at the Museum of Fine Arts Boston.
{4} IMA Temporary Receipt No. 4699.