- With its winding coastal path, stone walls, and girls in traditional dress, this canvas shows Moret’s devotion to painting the local color of Brittany.
- Moret was attracted to Impressionism and adopted a milder version of the Pont-Aven School style. The curving surface patterns, striated brushwork, and flat treatment of the sea all reflect the Pont-Aven approach. Yet, comparing the image to a similar subject by Gauguin in the center of this gallery reveals that Moret did not attempt the bold manipulation of color and perspective favored by Gauguin.
Provenance research is on-going at the Indianapolis Museum of Art at Newfields. Please contact Annette Schlagenhauff, Curator of European Art, at firstname.lastname@example.org if you have questions, or if you have additional information to share with us.