Indianapolis Museum of Art at Newfields
PAST EXHIBITIONS
ARCHIVES

Advanced Search

https://iiif.discovernewfields.org/iiif/3/55802-54b1f206ad3d4e8d
Licensing Resources
1 / 1
Licensing Resources

Landscape with Poplars

1875

82.54

Not currently on view

oil paintcanvaspainting

Artwork Details

Artist
Creation Date
1875
Materials
oil on canvas
Object Types
paintings, oil paintings
Dimensions

32 x 39-3/16 in. (canvas) 38-1/2 x 45 x 2-1/2 in. (framed, glazed)

Mark Description

Signed and dated, lower left: Gauguin '75

Accession Number
82.54
Credit Line

Bequest of Kurt F. Pantzer, Sr.

Copyright
Public Domain
Collection

European Painting and Sculpture 1800-1945

Color Palette

Clara Gauguin, wife of the artist's son, Copenhagen, Denmark. Bekgaard, Copenhagen. {1} Sold at (Winkel and Magnussen, Copenhagen) in 1936; {2} Axel Bruun, Copenhagen. {3} L. (Louis) F. Foght, Copenhagen; Sold at (Sotheby's, London, England) in 1960; {4} (John Mitchell, London); {5} Mr. and Mrs. Kurt F. Pantzer [1892-1979], Indianapolis, Indiana, in 1960; {6} Bequest of Kurt F. Pantzer to the Indianapolis Museum of Art, in 1982 (82.54). ------- {1} This early provenance is found in Daniel Wildenstein, Gauguin: A Savage in the Making Catalogue Raisonné of the Paintings (1873-1888), volume 1, Paris, Milan, 2002, catalogue no. 13. {2} Merete Bodelsen notes that this painting was lot 51 at auction at Winkel and Magnussen, Copenhagen, 01 April 1936 (auction no. 196), and that it sold to Axel Bruun, Copenhagen. See Meret Bodelsen, The Dating of Gauguin's Early Paintings, Burlington Magazine, volume 107 (June 1965), p. 310. {3} See footnote above. {4} Sotheby's, London, Catalogue of Important Impressionist and Modern Paintings and Sculpture, Part II, including…The Property of the late Louis Foght, 06 July 1960, lot 167 (illustration). Although the first Wildenstein catalogue raisonné, Gauguin: Catalogue I, Paris, 1964, lists the name Johan Rohde as a former owner, this was not the case. (Paintings owned by the late Mrs. Asa Johan Rohde were present in the 06 July 1960 sale at Sotheby's which may account for this confusion.) {5} The list of "Prices and Buyers'’ Names" identifies John Mitchell as the buyer of lot 167. {6} For biographical material on Pantzer, see A Passionate Eye and a Public Spirit: Kurt F. Pantzer and the J.M.W. Turner Collection, Indianapolis Museum of Art, 1992.



Exhibition Name

Venue

Dates

Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields

Chengdu Museum

September 29, 2020 - January 4, 2021

Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields

Hunan Provincial Museum

May 29, 2020 - September 13, 2020

Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields

Guandong Museum

January 10, 2020 - May 17, 2020

Paul Gauguin | Elsewhere

Taipei Fine Arts Museum

November 27, 2010 - February 13, 2011

Gauguin and Impressionism: Paintings, Sculpture and Ceramics

Kimball Art Museum

December 18, 2005 - March 26, 2006

Gauguin and Impressionism: Paintings, Sculpture and Ceramics

Ordrupgaard Museum for Fransk Impressionisme

August 25, 2005 - November 20, 2005

A Shared Heritage: Art by Four African Americans

Indianapolis Museum of Art

February 24, 1996 - April 2, 1996

Juxtapositions

Indianapolis Museum of Art

September 2, 1995 - October 29, 1995

Recent Acquisitions 1982-1985

Indianapolis Museum of Art

November 26, 1985 - January 19, 1986

The Early Work of Paul Gauguin, Genesis of an Artist

Cincinnati Art Museum

March 18, 1971 - April 26, 1971

Gauguin

Ny Carlsberg Glyptotek

1948 - 1948


More from the Collection


Content Disclaimer and Usage Rights

Metadata about the Indianapolis Museum of Art’s collection comes from Newfields’ records and research. In some cases, information may be incomplete and research is ongoing. Newfields’ goal is to have as up-to-date metadata as possible, therefore, this information is subject to change. Newfields collections’ metadata is available under a Creative Commons Zero (CC0) waiver, which allows for re-use without legal restrictions.

Artworks that appear in the image file(s) above may be in copyright or have other legal and/or cultural restrictions to their use. For clarity, Newfields does not claim copyright to the image files created by Newfields of artworks in the Indianapolis Museum of Art’s collection. Newfields makes every effort to ascertain the copyright status of artworks in the Indianapolis Museum of Art’s collection. Please refer to the RightsStatements.org statement above for information about the current copyright status of the artwork. Additionally, some artworks may include Local Context’s Notices or Labels that attribute cultural authority of the artwork’s heritage and data.

Additional information about Newfields’ reproduction guidelines can be found in the Licensing Resources.

4000 Michigan Road, Indianapolis, Indiana, USA 46208-3326 | 317-923-1331

Copyright © 2024 Newfields. All rights reserved.

This project was made possible in part by the Institute of Museum and Library Services [MA-251861-OMS-22].