Collections and items in our institution have incomplete, inaccurate, and/or missing attribution. We are using this notice to clearly identify this material so that it can be updated, or corrected by communities of origin. Our institution is committed to collaboration and partnerships to address this problem of incorrect or missing attribution.
Our institution is committed to the development of new modes of collaboration, engagement, and partnership with Indigenous peoples for the care and stewardship of past and future heritage collections.
The TK Notice is a visible notification that there are accompanying cultural rights and responsibilities that need further attention for any future sharing and use of this material. The TK Notice may indicate that TK Labels are in development and their implementation is being negotiated. For more information about the TK Notice, visit localcontexts.org.
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1-7/8 x 1-7/8 x 1/2 in.
Gift of Mr. and Mrs. Harrison Eiteljorg
(Mourtala Diop, New York and Dakar,Senegal) sold on July 31, 1978 to Harrison Eiteljorg [1903-1997] of Indianapolis, Indiana; given to the Indianapolis Museum of Art at Newfields in 1989.
Although sculpture representing animal and human forms is almost non-existent among such Muslim peoples as the Tukulor, Wolof and Peul, their accomplishments in other arts such as weaving, leatherwork, gourd decoration and jewelry are noteworthy.
Jewelry items such as this example form an important part of a woman's personal prestige and wealth. Most are composed of silver alloy parts that are soldered together, then gilded, that is, covered with a gold wash. This technique and some stylistic elements of this type of jewelry are part of a centuries-old tradition found in Western Africa, Northern Africa and the Mediterranean world. The similarities of technique and style of the Wolof and Tukulor jewelry from Senegal illustrate this fact. This shared metalworking tradition has been brought about by trade and other interaction across the Sahara Desert.
Metadata about the Indianapolis Museum of Art’s collection comes from Newfields’ records and research. In some cases, information may be incomplete and research is ongoing. Newfields’ goal is to have as up-to-date metadata as possible, therefore, this information is subject to change. Newfields collections’ metadata is available under a Creative Commons Zero (CC0) waiver, which allows for re-use without legal restrictions.
Artworks that appear in the image file(s) above may be in copyright or have other legal and/or cultural restrictions to their use. For clarity, Newfields does not claim copyright to the image files created by Newfields of artworks in the Indianapolis Museum of Art’s collection. Newfields makes every effort to ascertain the copyright status of artworks in the Indianapolis Museum of Art’s collection. Please refer to the RightsStatements.org statement above for information about the current copyright status of the artwork. Additionally, some artworks may include Local Context’s Notices or Labels that attribute cultural authority of the artwork’s heritage and data.
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