14-1/2 x 15-5/8 x 15-5/8 in. (installed) 5-1/4 in. (mouth diameter) 7-1/2 in. (foot diameter)
Square seal, impressed on foot, reads: San Signed: Sansei Red relief seal on box cover, reads: Sansei
Purchased with funds provided by Leonard and Kathryn Betley
Asian Art (Japanese and Korean)
Private Collection, Tokyo, Japan {1}; Beatrice Chang of (Dai Ichi Arts, New York) in April 2008; purchased by the Indianapolis Museum of Art in January 2009. {1} Purchased in the early 1990s at artist's solo exhibition at Matsuzakaya Department Store in Ginza, Tokyo.
青瓷壺
The sky-blue glaze and crackle pattern recall celadon wares produced to satisfy the antiquarian tastes of the Song imperial court (960–1279). Crackling results from different rates of contraction of the body and the glaze as they cool. In Chinese ceramics this is caused intentionally, and the potter seeks to regulate the sizes and patterns of the cracks.
Suzuki started studying in 1955 with Kawamura Seizan (1890–1967), an expert of blue-and-white and polychrome porcelains. As was common practice at the time, he received no instruction, but while doing miscellaneous chores he “stole” techniques by observing his teacher and his senior pupils. It was two years before Seizan allowed him to make a small dish on his own. Suzuki switched to celadons in 1975 after being inspired by a celadon piece by the Living National Treasure Miura Koheiji (1933–2006).
Exhibition Name
Venue
Dates
Indianapolis Museum of Art
October 14, 2011 - April 15, 2012
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