Collections and items in our institution have incomplete, inaccurate, and/or missing attribution. We are using this notice to clearly identify this material so that it can be updated, or corrected by communities of origin. Our institution is committed to collaboration and partnerships to address this problem of incorrect or missing attribution.
Our institution is committed to the development of new modes of collaboration, engagement, and partnership with Indigenous peoples for the care and stewardship of past and future heritage collections.
The TK Notice is a visible notification that there are accompanying cultural rights and responsibilities that need further attention for any future sharing and use of this material. The TK Notice may indicate that TK Labels are in development and their implementation is being negotiated. For more information about the TK Notice, visit localcontexts.org.
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76 x 64 in.
Maker's mark; tie dye signature at both ends
Gift of Butler University
Gift of Butler University, Indianapolis, Indiana to the Indianapolis Museum of Art 1988
The elaborate patterns on adire cloths are produced by different methods of indigo resist-dyeing. In stitch resist-dyeing, the pattern is achieved by using raffia or other threads to either tie or stitch the areas that will resist the dye penetration. In paste resist-dyeing, the pattern is painted onto undyed cloth using a starch paste mixture. When the cloth is dipped into indigo dye, the patterns are created in the areas that resist elements were used.
The geometric and abstract patterns on these cloths have specific symbolism, and each finished cloth has a particular name depending on the patterns used. The earliest types of indigo resist-dyed woman’s wrappers (adire) were hand- woven with hand-spun cotton. In recent years machine-made cotton fabrics have replaced the more time-consuming handmade versions.
Exhibition Name
Venue
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Metadata about the Indianapolis Museum of Art’s collection comes from Newfields’ records and research. In some cases, information may be incomplete and research is ongoing. Newfields’ goal is to have as up-to-date metadata as possible, therefore, this information is subject to change. Newfields collections’ metadata is available under a Creative Commons Zero (CC0) waiver, which allows for re-use without legal restrictions.
Artworks that appear in the image file(s) above may be in copyright or have other legal and/or cultural restrictions to their use. For clarity, Newfields does not claim copyright to the image files created by Newfields of artworks in the Indianapolis Museum of Art’s collection. Newfields makes every effort to ascertain the copyright status of artworks in the Indianapolis Museum of Art’s collection. Please refer to the RightsStatements.org statement above for information about the current copyright status of the artwork. Additionally, some artworks may include Local Context’s Notices or Labels that attribute cultural authority of the artwork’s heritage and data.
Additional information about Newfields’ reproduction guidelines can be found in the Licensing Resources.
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